Swiss-Assyrian artist Shamiran Istifan is receiving widespread acclaim for her latest exhibition at the Aargauer Kunsthaus, where her installations explore themes of beauty, migration, identity and censorship through striking visual symbolism.
From the villages of Tur Abdin to readers around the world. Ten years after its original Swedish release, Nemrud Kurt-Haninke's novel about the Seyfo genocide is now entering the English-speaking world.
The Assyrian Foundation of America (AFA) has announced a five-year financial commitment to the Assyrian Studies Association (ASA), pledging $30,000 annually through 2031 in support of the organization's academic and cultural work.
In thousands of living rooms across Germany, Sweden, Switzerland, the Netherlands, Austria and other countries a quiet linguistic experiment is taking place. The subjects are the grandchildren of the Assyrian refugees who fled the Tur Abdin region in southeastern Turkey starting in the late 1970s.
Turkish journalist and writer Serdar Korucu's new book records a century-old journey from Seyfo in 1915 to the unknown murders of the 90s and today's hopes of returning through 38 different Assyrian voices from across the diaspora.
There has been a surge of AI-generated music online over the past few months, including AI covers of old songs, entirely new tracks, and even the emergence of Narina Sarkis and Remos Ashuraya, believed to be the first-ever Assyrian AI singers.
As the world celebrates International Mother Language Day this February 21st, the towns and villages of Assyria still chant, sing, pray and speak in a mother tongue that has defied the worst history has thrown at it.
At the University of Salamanca, one of Europe’s oldest academic institutions, an Assyrian renaissance is unfolding. At its center stands Prof. Dr. Efrem Yildiz, whose journey from northern Assyria to academic leadership reflects the resilience of his people.
US-born writer Johnny Shiba turned a college hobby into two books tackling history, fantasy, and identity. From preserving the Assyrian name to imagining a future Assyria, his work wrestles with what it means to endure—and to belong.
After only a few months since its launch, the Assyria Post has recorded more than 2.5 million impressions across its social media platforms, reflecting a growing audience and rising interest in Assyrian perspectives on regional affairs.
A new collection of modern Assyrian computer fonts has been released, offering designers, writers, educators, and institutions fresh tools to use the Assyrian script across digital platforms.
The word, founded by journalist Yasmeen Altaji, has become the latest Assyrian news outlet to shut down, reflecting the challenges facing Assyrian journalism.
