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The reign of Tukulti-Ninurta I was a hallmark of what was to come in the arsenal of Neo-Assyrian subjugation. Before his war with Babylon, Tukulti-Ninurta I presented himself as the king who would restore the will of the gods, thereby justifying his attack. The relationship between the Assyrian ruler and the Assyrian pantheon had been notable since the start of the Old Assyrian period, when the leader was given the title “governor on behalf of Assur.”
By the height of the Neo-Assyrian Empire, the king was essentially the mouthpiece of the gods, acting as their representative on earth. The Assyrians had adopted the ancient concept of divine kingship from the Sumerians and Akkadians, and it is constantly emphasized in art and inscriptions from that time."
In a collaboration between Ludwig Maximilian University of Munich (LMU) and the University of Baghdad, an ancient Babylonian hymn dating back over two millennia has been rediscovered and fully deciphered.
The new AI tool “Palaeographicum” is revolutionizing research into the cultures of the Ancient Near East: It identifies individual variations of cuneiform signs—a huge step forward for academia.
The Shamash Gate in ancient Nineveh has revealed rare evidence of two violent chapters separated by more than 2,500 years: the fall of the Assyrian capital in 612 B.C. and the battle to free Mosul from ISIS in 2017.
Assyrian News Broadcasting (ANB) has announced that it has temporarily suspended publishing news on its Facebook page due to an ongoing dispute over the platform's media identity and intellectual property rights.
Swiss-Assyrian artist Shamiran Istifan is receiving widespread acclaim for her latest exhibition at the Aargauer Kunsthaus, where her installations explore themes of beauty, migration, identity and censorship through striking visual symbolism.
In a major policy announcement, Iraqi Prime Minister Ali al-Zaidi declared that facilitating the return of Assyrians who fled the country during two decades of conflict is now a "national and government priority."
Heather Reilly
